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Us on Moviesjoy Streaming Online - 2022
“Us 2019 ” simply might have been a clever, low-budget horror film. But with a timely theme related to race relations, it pleased critics, scholars, sociologists and Oscar voters. It was a brilliantly made movie of its moment.Also a horror film, “Us” opens with confidence. It’s as if Peele hit a grand slam his first time at bat and is strolling to home plate a few innings later.In a flashback in 1986 Santa Cruz, little Adelaide enjoys the beach boardwalk with her parents. Her dad wins her an oversized Michael Jackson “Thriller” T-shirt, and she wanders off to a house of mirrors. In the darkness, she sees a reflection of herself. Except it’s not a reflection.
In the present, Adelaide is happily married to goofball Gabe Wilson (Winston Duke), with a phone-obsessed teen daughter, Zora, and a young son, Jason , who loves monsters and magic tricks.The Wilsons go on vacation to their summer house; Peele sets up the family dynamic with relaxed, yet precise, strokes. Gabe suggests they go to the beach at Santa Cruz, and Adelaide freezes. She can’t go back there. Gabe presses, and she reluctantly agrees, but only if they can leave before dark.
Hanging out with friends Josh and Kitty, the day goes well, except when Jason disappears for a panic-inducing moment and the presence of a weird man holding a sign that reads “Jeremiah 11:11.”At home, just before bedtime, a strange family suddenly appears standing in their driveway. As they get closer, it seems they’re exact doubles of the Wilsons, except not quite right. Something is off about them. And they don’t seem to be friendly.What follows is a long, exhausting and somewhat bloody night, and then something close to insanity.“Us” is completely bonkers, so much so that its intricate back story could be interpreted in many ways.
Through it all, Peele’s filmmaking is extraordinarily measured. Miles from the amateur school that requires camera-shaking every time anything tense happens, Peele understands, like Alfred Hitchcock in “The Birds,” Roman Polanski in “Rosemary’s Baby” or Stanley Kubrick of “The Shining,” the difference between hiding and revealing.He’s also razor-focused on sounds, whether it’s a well-placed pop song at just the right volume or a spooky instrumental that perfectly ties in a theme.
The daughter of the family is the mirror as potential. She wanted to be an Olympic runner, her duplicate when pursuing her is a fearsome adversary precisely because of that: for being what she does not dare to be.The son of the family, on the other hand, is the mirror as a warning. He plays with a lighter constantly, while his duplicate copies his exact movements: when - through imitation - he obtains that he takes off a mask that he wears, he sees in the burned face what can happen to him if he keeps playing with fire.
Coming from the comic team of Key and Peele, Peele understands the primal, bodily reactions of laughter and fright.He cleverly sprinkles comedy throughout to slice through the suspense. In “Get Out,” the humor was provided by side character Rod Williams , but in “Us,” anyone can get a laugh.Yet the most remarkable thing about “Us Moviesjoy HD” is that it’s about an interesting, average family that happens to be African-American, and not, like “Get Out,” a satire about racism. It’s a welcome step forward, revolutionary in its own quiet way.
Some may compare “Us” to “Get Out” and find it wanting, but others will realize no measuring is necessary. “Us” is very simply a tense, startling, and wildly entertaining, movie.
In the present, Adelaide is happily married to goofball Gabe Wilson (Winston Duke), with a phone-obsessed teen daughter, Zora, and a young son, Jason , who loves monsters and magic tricks.The Wilsons go on vacation to their summer house; Peele sets up the family dynamic with relaxed, yet precise, strokes. Gabe suggests they go to the beach at Santa Cruz, and Adelaide freezes. She can’t go back there. Gabe presses, and she reluctantly agrees, but only if they can leave before dark.
Hanging out with friends Josh and Kitty, the day goes well, except when Jason disappears for a panic-inducing moment and the presence of a weird man holding a sign that reads “Jeremiah 11:11.”At home, just before bedtime, a strange family suddenly appears standing in their driveway. As they get closer, it seems they’re exact doubles of the Wilsons, except not quite right. Something is off about them. And they don’t seem to be friendly.What follows is a long, exhausting and somewhat bloody night, and then something close to insanity.“Us” is completely bonkers, so much so that its intricate back story could be interpreted in many ways.
Through it all, Peele’s filmmaking is extraordinarily measured. Miles from the amateur school that requires camera-shaking every time anything tense happens, Peele understands, like Alfred Hitchcock in “The Birds,” Roman Polanski in “Rosemary’s Baby” or Stanley Kubrick of “The Shining,” the difference between hiding and revealing.He’s also razor-focused on sounds, whether it’s a well-placed pop song at just the right volume or a spooky instrumental that perfectly ties in a theme.
The daughter of the family is the mirror as potential. She wanted to be an Olympic runner, her duplicate when pursuing her is a fearsome adversary precisely because of that: for being what she does not dare to be.The son of the family, on the other hand, is the mirror as a warning. He plays with a lighter constantly, while his duplicate copies his exact movements: when - through imitation - he obtains that he takes off a mask that he wears, he sees in the burned face what can happen to him if he keeps playing with fire.
Coming from the comic team of Key and Peele, Peele understands the primal, bodily reactions of laughter and fright.He cleverly sprinkles comedy throughout to slice through the suspense. In “Get Out,” the humor was provided by side character Rod Williams , but in “Us,” anyone can get a laugh.Yet the most remarkable thing about “Us Moviesjoy HD” is that it’s about an interesting, average family that happens to be African-American, and not, like “Get Out,” a satire about racism. It’s a welcome step forward, revolutionary in its own quiet way.
Some may compare “Us” to “Get Out” and find it wanting, but others will realize no measuring is necessary. “Us” is very simply a tense, startling, and wildly entertaining, movie.
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Us 2019 on Moviesjoy Streaming Online
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